Introducing The MB&F MusicMachine 3, A TIE-Fighter Inspired 10th Anniversary Music Machine
The essential design of MusicMachine 3 is worked around the two “motors” on one or the other side of the case like principle frame. At the rear of each, there’s an adapted portrayal of a motor engine – these are really the winding keys for each of the two free mechanisms. The principle segment of each of the two motors is taken up by the rollers, studded with small pins, that pivot to create melodic tunes; as the rollers turn, the pins pluck the teeth of a metal comb, delivering melodic notes. The beat of each tune is constrained by methods for a fan, which uses air obstruction to slow the turning of each roller to a speed that allows the music to play at a satisfying pace. This kind of air-opposition controlling mechanism has echoes in horology too – such controllers are utilized both to control the speed of some chiming complications, and they’re likewise used to control the speed at which remontoires rewind in certain timekeepers and watches.
The controller fans can be seen on the rearward finish of the motor cases (they look a digit like reversed eggbeaters, and you can watch them turning when the MusicMachine 3 is put into action. The combs are inside huge metal plates on the inboard side of each of the rollers, which are themselves clamped down by six enormous, blued steel screws. Each roller has around 1400 pins, each one of which must be exclusively hand-completed and set in little openings bored in each roller. The situation of each pin decides the tune that will be played on the 72 teeth of each comb, and since this is a top-quality music box, conventional techniques for tuning the teeth have been utilized, beginning with the utilization of an extraordinary steel composite. Teeth for bass notes are thickened with lead (a customary technique) and minuscule manufactured quills are utilized to dampen unreasonable vibration. To fix the pins set up in the rollers, a hot gum is applied to within the chambers which, when it at long last solidifies, for all time gets the pins in place.
All this is quite astounding stuff, however the whole issue lays on a case that is a work of craftsmanship in itself. The case on which MusicMachine 3 sits is really a reverberating and amplifying chamber, and the mass of the MusicMachine itself is fundamental here as it helps mechanically couple the MusicMachine 3 to the full base (once more, there’s a similarity here with watchmaking and with chiming complications, in which the foot of each gong must be appropriately gotten to the mainplate – or, nowadays, some of the time to unique reverberation structures for the situation or dial.) The base is made by the third accomplice in the creation of MusicMachine 3: JMC Lutherie’s Jeanmichel Capt, whose company makes top of the line guitars. JMC Lutherie, which is situated in the Vallée de Joux, likewise makes “soundboard” speakers – speakers whose reverberating surface is a sheet of extremely unique wood. The wood is taken from 350 year old tidy trees that grow in a freezing environment, with short summers and long winters and like such countless different things, affliction here varieties significance, at any rate for the motivations behind sonic virtue – the slow growth of the trees implies an exceptionally thick wood and tight grain, which has unrivaled sound transmission properties. When cut, the wood must be matured for another five to ten years.
This mastery has made JCM Lutherie something of the go-to producer for reverberation bases for top of the line horology, and that equivalent skill is the establishment – in a real sense – of the MusicMachine 3, allowing the vibrations from each of the combs to be essentially amplified and improved – bringing about both stronger and more excellent music.
So what do you will hear? There are a sum of six tunes that the MusicMachine 3 plays – three on each roller. The correct chamber plays the topics from Star Wars, Mission: Impossible, and James Bond (as heard in 1962’s Dr. No) and on the left, you get the topic from The Godfather; Merry Christmas, Mr. Lawrence; and The Persuaders (a renowned mid 1970s TV arrangement featuring Tony Curtis and Roger Moore as wealthy British playboys who moonlight as analysts – might suspect Sherlock Holmes meets Austin Powers, yet with better teeth.)
The MusicMachine 3 is an incredible exercise in precisely such a blend of evidently dissimilar worlds that has been MB&F’s stock in exchange all along – an enlivening, kinetic, and melodic article that figures out how to meld everything from guitar-production to 1970s mainstream society to haute horlogerie in one overflowing bundle.
MusicMachine 3 is a restricted version of 99 pieces: 33 pieces with white completion; 33 pieces with dark completion; and 33 pieces with ‘chrome’ finish. Value: CHF 17,500 + charge.
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